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Harkabi, Yehoshafat | November 5, 1990 issue
Apparently, the U.S. Senate found it easier to vote funds for obscenities like B-2 bombers than to renew the National Endowment for the Arts without the...

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Art
Danto, Arthur C. | July 30, 1990 issue
The article presents information on art. Painting, in whatever way it facilitates the expression of emotions, cannot be a kind of scream if it is in fact...

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Shapiro, Bruce | July 9, 1990 issue
For all fears of censorship aroused by the National Endowment for the Arts controversy, gags some writers wore in a Manhattan protest a few months ago were...

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Art
Danto, Arthur C. | July 9, 1990 issue
The article focuses on approaches to criticism of art with special reference to definitions set by theorist Clement Greenberg. Greenberg's prestige rests...

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Art
Danto, Arthur C. | May 14, 1990 issue
The exhibition "The New Sculpture 1965-1975: Between Geometry and Gesture" is being held at the Whitney Museum of American Art. The exhibition's reduced...

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Art
Danto, Arthur C. | January 12, 1985 issue
Comments on the work of post-graffiti artists Crash and Daze. Subjects of works; Characteristics of post-graffiti art; Developments in the field.

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Art
Danto, Arthur C. | April 13, 1985 issue
The article focuses on the utility of paper and printing technology. The invention of printing necessitated the production of quantities of reasonably priced...

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Art
Danto, Arthur C. | July 19, 1986 issue
The expression routinely used these days to designate public art, art in public spaces implies that there is nothing especially public about the art in...

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Shikes, Ralph E. | August 2, 1986 issue
The artists who drew social and political commentaries a century ago were unwittingly prophetic. Thomas Nast's symbol of a corrupt politician seemed a relic...

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ART
Danto, Arthur C. | November 17, 1984 issue
Reports that two paintings by Leon Golub in the 1983 Whitney Biennial made the bulk of the works in that cynical and dispiriting exhibition seem like meretricious...

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